Continuity Preliminary task: Shot list

Shot 1 Shot behind when Jonny is walking (low angle shot)

Shot 2 Jonny walking, shot from the front (medium shot, eye level)

Shot 3 Door knob being turned (extreme close up)

Shot 4 Cuts to behind katie, shot of hands tied up from behind the chair. The camera then pans around right towards the door.

Shot 5 Mid shot of Jonny (the abductor)

Shot 6 Over the shoulder shot of the abductor over the shoulder of the prisoner.

Shot 7 Shot-reverse shots of Jonny and Katie speaking (Jonny Left/ Katie Right) Dialogue takes place here.

Shot 8 Jonny leaves the room. (Long shot)

Continuity preliminary task: Script

To set the scene: Jonny is a capturer and Katie is the one being captured.

Jonny:[Shouting] Remember me!
(pause)
[quieter, persuasive] Now then, are you ready to talk? Or will I have to bring in Big Bob to make you!

Katie:[angry] I will never talk, not to you scum.

Jonny:[annoyed but trying to stay calm] Well, there is a price on your head but this may just magically disappear all forgotten if! You give me or my friends some information.

Katie:[definant] I will not utter a word even if it’s my last breath.

Jonny: [Irritated] So be it. I see a more vigilant technique is needed! I think I will bring in big bob to make your acquaintance. Then you might change your mind my dear.

Film making techniques

180 Degree Rule
This technique is crucial in film making and without it you will break the flow of the scene and disorientate the viewer.
The basic idea is that each character must stay on the same sides of the frame at all times. For example: if in a dialogue situation a man and woman were sitting at opposite sides of a table and the camera was position so that the woman was on the right and the man was on the left, if the camera cut to the opposite end of the table the actors would have to swap seats so as not to confuse the audience. If you break the 180 degree rule you are 'crossing the line'. In only one case are you allowed to 'cross the line' and that is if the camera is moving and you physically see the camera 'cross the line'.

Shot-reverse shot
shot-reverse shot is a technique where you have an over shoulder shot of one person looking at another and then it cuts to and over shoulder shot of the first person. It can be used in the same way if a character is looking at a newspaper, for example, and then cuts to the newspaper from their point of view.

Match-On-Action

Match on Action is a technique used in film editing when a cut connects two different views of the same action at the same moment in the movement. You have to carefully match the movement across the two shots to make it seem as though the motion continues uninterrupted.